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ArchiveBorn 1980 in Rome.
What I do continually oscillates between self-control and out of control. For this reason, the second part, the evasion of control, is harder to define and certainly the least advisable.
A contrast between two extremes might be a more accurate observation. By applying and stimulating profound impulses, I work around the sensations of hot and cold, order and disorder, hullabaloo and silence, infantile and innate sexual instincts, greens and browns. In two words, life and death using sellotape so I am not confined to preordained spaces that block the creative flow and the sincerity of this discourse.
Lately, I really enjoy hiding myself.
I seek to create new energies between the drawings which ably communicate with the surroundings. The obstacles contribute to this: tents and trees that obscure the frontal plane, and with it the arrogant pretence of didactic and formal interpretation. In this manner, I concentrate on 'creating' spaces, such as the formation of fungi after the rain. Hence, creativity as a natural process; a kind of fermentation process.
Pesce Khete
 Pesce Khete, Untitled, oilsticks and masking tape on cotton paper, 2008 |
