Artists VOLTA NY 2008
Presented by: Thierry Goldberg Projects
1980, Nashville, USA
With a fresh and vivid palette, Kelly’s paintings capture children at play in moments of sharing, solitude, and vying for power. The paintings often refer to Kelly’s own childhood experience and in turn, to the African-American experience at large. The figures he depicts are a mixture of personal archetypes and classic racial stereotypes. His aesthetic includes references to the figurative work of Jacob Lawrence and to the controversial stop motion animations of George Pal, especially ‘John Henry and the Inky-Poo’ and ‘the Jasper series’ from the 1940’s. Like George Pal, Kelly utilizes perception of race, not for entertainment, but as a narrative device, a role in the theater of personality. Here, race is a tool, something to work with and work against in the children’s subsequent formation of identity through play.
Kelly locates his paintings within the dichotomy of spectacle (that which presents) and voyeurism (that which discovers). He likens the spectacle to a moment that may create its own reality separate from the conventions actually governing it – suggesting the possibility of lifting the veil of history and race, however fleeting.
 Khalif Kelly, Confrontation at the Clothesline, Oil on Canvas, 72” x 84”, 2007 |